Fans in many participating countries have often lamented the role that
geopolitics – mainly bloc voting – can play in the Eurovision song
contest. However, the results of this year's final come with a different
political story. The home nation of the contest's winners becomes the
host of the next year's competition. This year's winners, Ell/Nikki,
represent a country with Europe's most deteriorating human rights and
political freedoms record. The fact that, only three days ago, the
European parliament adopted a toughly worded resolution
slamming Azerbaijan's human rights record adds an interesting political
angle to this artistic victory on a popular European stage.
Azerbaijan's recent oil boom
has given the Aliyev dynasty a chance to tighten its grip on power.
Since the Baku-Tbilisi-Ceyhan pipeline began to funnel Azeri oil into
European markets six years ago, this small former-Soviet state has been
producing more than a million barrels of oil each day. The sudden
quadrupling of its oil production has allowed the regime to buy more
domestic and international support, and store up repressive capacity for
the post-oil era. The remnants of the weakly competitive pre-oil-boom
era were erased in the 2010 parliamentary elections, when real
opposition candidates gained none of the 125 seats.
But the Arab spring has stirred up some trouble
on the western shores of the Caspian as well. Dozens of opposition
activists are standing trial for attempting to hold rallies in Baku.
Last week, a youth activist was handed a two-and-a-half-year sentence
on drug possession charges. The fact that his arrest came only a day
after posting Facebook notes calling on his friends to launch
Egyptian-style youth protests cast serious doubt on credibility of his
trial. Another youth activist, this time a Harvard graduate and
parliamentary candidate, is standing trial for draft evasion charges.
Nonetheless, there is a possibility that Eurovision will not only halt this wave of repression fuelled by petrodollars and Ilham Aliyev's anxiety over the Arab spring, but also usher in a little bit of political openness. This could happen in five different ways.
First,
Azerbaijan will have to revert to the system of issuing visas at the
airport, which was replaced last year amid the regime's concerns over
global rights activists and critical journalists entering the country.
The present rule gives the government the time required to screen out
those known for criticising the country's human rights record and reject
or delay their visa applications. However, this will have to change as
Azeri embassies in major European capitals are not big enough to handle
the hundreds of visa applications per week that Eurovision will
generate.
Second, the rulers will have to learn some degree of administrative efficiency. Transparency International
has consistently ranked Azerbaijan among the most corrupt states in the
world – even more corrupt than states like Iran, Libya and Pakistan. If
the government wants to match Germany's performance in hosting the
event, it will need to embark on a massive infrastructure-strengthening
project. To achieve results in just a year, it will have to spend more
time preparing for hosting Eurovision and less time embezzling funds
allocated for improving the Eurovision infrastructure. Otherwise, in the
spring of 2012, the government will face a public humiliation that
authoritarian regimes can little afford.
Third, in the weeks
leading to the competition, the country will come under the kind of
European spotlight that it has never experienced before. Naturally, this
will increase awareness of Azerbaijan and produce results that many
expected of the Beijing Olympics in 2008. There are reasons to assume
that Eurovision can do for Azerbaijan what the Olympics could not do for
China – namely, compel it to reform its international image as an
authoritarian state. For unlike the Olympics' focus on difference and
its avowed apolitical nature, Eurovision is a European project that has
an exclusively European audience. Moreover, as a weaker state,
Azerbaijan is much less able to show a China-like resistance to
international attention on its human rights record.
Fourth, there
will be more gatherings in the streets of Baku, which means that the
regime will have to break its anxious habit of sending police officers
whenever a handful of youths gather in public.
Last, but not
least, the large crowds that the Eurovision victory brought to the
streets of Baku showed that decades of authoritarian rule has not been
able to quell the spontaneous expression of collective joy, and possibly
anger. Days like this remind the ruling family that the people of
Azerbaijan, especially its youth, have not lost touch with collective
aspirations.
All of this actually shows how easy it can be to
stimulate political change in some of the softer authoritarian states.
Eurovision has presented its 150-million-strong European audience an
opportunity to help bring a little bit of openness to one of Europe's
two remaining dictatorships.
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